Category Archives: Non-Fiction

Are the Readers of Christian Books (or Books in General) Naturally Assumed to be White, Middle Class?

The other day I found myself reading one of the many Christian books I occasionally find myself flipping through (I italicize Christian not to imply that the books themselves are Christian, but to emphasize the genre of book that I was reading) when I noticed some language that made me a bit uncomfortable. Nothing theologically heinous or sexist or racist or even political, rather it was an assumption inherent in the text.

The assumption was that whoever was reading this was from an upper-middle class background, probably white. The examples, lingo, and ways of communication were clearly directed at someone who was educated, wealthy, and had time to spare reading. Then I realized that it wasn’t this specific book as much as it was the majority of books I had read about the Christian life or Christian experience (or was it just plain old “books” in general?) I’m not blaming the books or even the authors. I merely find it interesting that there is perhaps a much more specific target audience in mind that I had never thought of because I am, surprise, middle class. More lower middle class, like still-shop-generics-middle class and going-out-to-eat-is-going-to-a-taco-cart-middle class, but still middle class enough that I had never paused to think about it.

Examples: In many books I’ve read it says something along the lines of, “Think about those who are poorer than you,” or a question like, “How much do you trust in your job, education, or the money you make, more than God?”

These are not bad questions or assumptions. The author could be implying that since this book is written in English there’s a good chance you are part of the Western world, specifically America, and therefore really are wealthier than three-quarters of the world. But if not, there seems to be a subtle, although perhaps staggering assumption, that the person reading this is doing so in the comfort of their nice home and not on the “other” side of town where the poor people are. You’re obviously well educated, and make decent money at your job, more decent than most that you fall into the temptation of putting too much emphasis on your career and/or money. The questions, examples, and lingo aren’t exactly targeted towards working class, blue-collar folk, from certain regions of town. Even books that make a plea for social justice, simple living, and as hippie as you can get, are still assuming that you are not some anarchist living in a house with ten people and chickens in the back.

The question I have is if this is the natural, yet targeted conversation of non-fiction books in general, or if it relates specifically to “Christian” books? If it is more specific in a religious sense I find this very disturbing.
Of course “books” are targeted to a more educated crowd of people who also like “books,” and written by people who also presumably read other “books.” Yet, I can’t help but feel rubbed the wrong way when a book tends to explicitly assume your background.
This was brought to my intention while going through such a Christian book when a woman in our house church, who came from a Cambodian/El Salvadorian family, remarked that she couldn’t really understand any of the examples the author of a certain book used to illustrate her/her points. Some example about how the author learned to “trust in God” and “have patience” after spending lots of money on her kids birthday to only have the cake decorations ruined. It was something trivial, obviously a hyperbolic example, but undoubtedly an example of a certain demographic. This woman in our house church wasn’t angry or anything but she said she really just couldn’t relate to any point the author tried to put across.

Am I splitting hairs? Is this a waste of your time? Probably. Still I haven’t seen a book that references poverty without it being the assumption that since you are reading this book you are not poor. All books on poverty are about helping “those” people. Even if the book does remind you that you are no different, you are still the one reading the book. Is this to be expected?
Now, there’s an obvious reason for this and one that puts all unnecessary logic and thinking to shame, which is the simple fact that educated people tend to read more than un-educated people. I’m not trying to be classist, but I think data would back me up. People who have an education and are not a working single mom with two kids tend to have more time and energy to read books about their own self-improvement, spiritual or otherwise. Am I contradicting myself by getting mad at people who assume we’re all rich when I am in fact claiming that only educated people read? Probably.
Perhaps we could say that most non-fiction books of a certain caliber are created for people of an educated demographic. I would just find it troubling if so called “Christian” books made the assumption and marketed accordingly, especially since the Christian faith should supposedly (supposedly) be one of the places in the world where grace and love trump class and race and we are all sisters and brothers. For it seems that we can care about the “poor” through physical needs and yet assume they would not read the same books as us? Because they are poor? Or because we are self-righteous? Or is it another example of the divide of class and race that plagues not only Christians but all of America? I just found it disturbing to be reading a book and have the author assume that because they were from a certain background I was too.

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A Tale of Beer and Small Interactions

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Director Joe Swanberg’s Drinking Buddies is perhaps his most palatable and commercial film to be released in a while. You may never have heard of Swanberg, unless of course you’re an avid indie movie viewer, but he has directed and produced such titles as Kissing on the Mouth, LOL, and Hannah Takes the Stairs. His films are marked by improvisation, a lower-budget, lesser-known actors, and hails (if such a genre term still exists) from the “mumblecore” scene with the likes of Jay and Mark Duplass. Drinking Buddies has all the same elements of previous films but transcends the bounds of low-fi-indie-world-cinema to a greater commercial success largely in part to its casting of more prominent actors.

Drinking Buddies features co-workers Luke (Jake Johnson from New Girl, Safety Not Guranteed) and Kate (Olivia Wilde from House, Rush) who work together at a brewery. They both have significant others but have an undeniable chemistry at work. The two often hang out outside of work and have a friendship that borders on the inappropriate for two people who are also dating other people. On a double date to a cabin however, we begin to see that their significant others Chris (a much missed Ron Livingston, Office Space) and Jill (the adorable Anna Kendrick) may have just as much chemistry between the two of them as Luke and Kate. I know.

From this point I thought I could see the entire trajectory of the story. Luke would break up with Jill and get together with Kate and Kate would break up with Chris to date Luke. Things looked so predictable I was about to yawn. Not so, however. While these tensions do exist and a reality beyond this time frame may prove these events to be occur, we never see the end result. Mostly we see small interactions. Glances and hand touching and conversations with underlying subtexts. It’s funny, but slow and winding. Real enough to hold our interest but not so real that it becomes boring.

Luke really does love Jill and they’ve even talked about getting married. It’s hard to know if he’s merely being naïve in his relationship with Kate or if he doesn’t want to explore what he knows is there to break the status quo. Kate’s not exactly sure what she wants. Chris is the only one who seems confident, he’s older, more experienced with relationships and life. All actors turn out funny and terrific, albeit subtle performances.

Drinking Buddies defies rom-com or even it’s own name. If a movie called Drinking Buddies was to come out of mainstream Hollywood you know it would include lots of binge drinking and frat parties with a heavy emphasis on the drinking. Do people in here drink? Sure. Do they drink a lot? Yeah. But that’s not the point.

I thought I knew for sure where this movie was going at first but it never went there. It offers a look in time at the overlapping of relationships between two couples. What happens beyond this point of time, it’s hard to say.

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Life Without Filter Part II

I had one simple goal in mind when taking these pictures: to present life as ordinary as possible. To take pictures of all the things that consume our day but are not particularly interesting. To look at computer screens, office spaces, roads, cooking, T.V. screens etc. When I took the first picture my photographer friends Mike and Cole told me that the picture was crooked, saying something about “horizons.” I told them that I didn’t care. But they told me, out of either injury to their particular field of work or to simply give me advice, that you could still take bland pictures that weren’t crooked. So after the first one I tried harder to hold the camera upright. However, I did not manipulate the lighting, filter, or placement of such photos. I wanted them to exist in stark representation to the manipulation of appearance, because the manipulation of appearance was the essential point, i.e. how we manipulate and alter our appearance and image through technology.

The photo’s you’ll see are awful and not interesting in the least bit, or at the very least not very interesting.  My friends Mike and Cole could have done a photo project where they take pictures of bland or ordinary or mundane things, but since they’re awesome photographers they could still make them look “cool” in the gritty and low-fi sort of way. I wanted to represent life in its most ordinary and uninteresting state.

 

A couple thoughts: my house looks very yellow in all the pictures. It might have something to do with the yellow walls or the poor lighting, who knows. I debated about whether or not to take pictures of colorful trees wondering if they were too “pretty.” But then I decided that it would be dishonest to not take a picture of them since they were a part of my day while going for a run and I wasn’t going out of my way per say to try and find beautiful images of fall. The one time I took a picture of myself I immediately noticed a reflex in which my hands jumped up to straighten my hair. I had to forcefully shake off the desire to comb my hair and I also had to consciously think about how my face would look as it does throughout most of the day, not particularly sad, but not particularly happy either.

Part of me wishes the images were grittier or more low-fi but that would have required a certain amount of manipulation. In fact, another thing I noticed while scrolling through the images is that as much as they are ordinary and uninteresting I still feel a particular since of gratitude while viewing the photos. My life, I found myself thinking, is pretty good. But then it caused me to question whether the act of taking photo’s itself isn’t manipulation. Because photo’s (even mundane ones) like movies or ad’s still present a “compression” of life that is not accurate in a time/experience sort of way. Although all the photo’s were literally things I was either doing or noticed throughout the day with no going out of my way to capture certain images, I wondered if the recording of life itself causes one to view life unrealistically. In the best possible sense photo’s capture memories. Memories than can give us nostalgia or feelings of warmth and happiness. Some of the photo’s I took did this—such as pictures of nature or my wife or dog—but others warranted no emotional reaction at all—such as images of computer screens. Which cause me to think that technology can exist in the best possible way—such as to provide us with memories of past or meaningful events—or, in the case of movies, to present us with an inspiring or challenging narrative that cause us to engage with life. And yet, technology can also exist in the worst possible way providing unrealistic images and worldviews that damage our souls. Much of this thought process was based on a troubling Vanity Fair article entitled “Friends With Benefits,” where Nancy Jo Sales explores how social media and sex are influencing young women. Check out the article here: http://www.vanityfair.com/culture/2013/09/social-media-internet-porn-teenage-girls.

 

Once again, the point is not the pictures, they’re remarkably bland. But rather questioning in what ways we live a life with filter. 

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Life Without Filter Part I

800px-Instagram_Filters_2011-partialLife Without Filter
Part I

On Wednesday October 16th I woke up groggy—not motivated to go to work or put on pants or do anything that involved the concept of motion. I turned the alarm off my phone and unconsciously opened Facebook and began to flip through status updates and pictures. I hated this unchecked instinct that always seemed to be a huge waste of time, but it kept me in the warm sheets covering my body for a few seconds longer so I allowed my mind to glaze over and not think about the evils of such technology. I saw all the usual—political rants, memes, photos of summer trips to Europe, vacations in Cancun, personal updates, selfies, etc. And it was all incredibly exciting looking and at the same time, incredibly strange.

It’s no secret that Facebook exists as a sort of alternative universe where one can present an idealized (or even fictionalized) version of oneself to a broad community of “friends.” We all know that people only really want to post photos of themselves when they are eating the best, looking the best, and living the best.

I have no problem with this. It’s human nature. And we definitely don’t need another article about how Facebook is ruining the world or how it is redefining our concept of community, or the psychological damage done to thousands of kids everywhere by online bullies—though to be fair, all of those things are probably true. It’s a bit dreary and tiresome to hear criticisms of Facebook (I’ve heard enough slam poems criticizing it to last ten lifetimes). But I do have a “beef” if you will, if the kids of F book still use that term, with the social media outlet and technology in general.

Technology in general has allowed the possibility of an alternative universe, not just through social media outlets but through our experience of space and time as presented to us through movies, ad’s, and “invisible” online platforms. A nerdy example please: I love Lord of the Rings. LOTR all the way. I grew up reading the books and watching the movies and thoroughly enjoyed all of it. However, whilst watching movies like this and Braveheart and Gladiator in high school, I began to develop a view of life that was something like unhealthy. I wanted all of my life to be epic like it was in the movies, but alas it was not so I got very depressed. I blamed myself at first and I wasn’t totally off. But eventually I came to realize that all movies, even arty, dark, indie ones, are unrealistic representations of life because they compress days or even years into a two to possibly four hour viewing. They provide a narrative structure (however loose) that ninety percent of the time wraps up life in tidy ways, or at least gives meaning to chaos.

In some ways we as the modern viewer can attempt to translate this to our life. Thus, we want our life to be like a movie and so we take photos and post statuses to complete this image. Thanks to Instagram we can slap a funky filter on any image we take and make a toilet look like something we’d like to eat. We highlight the good and downplay the bad. There are obviously those “friends” who complain a whole lot on Facebook. But it never seems to be true and honest communication, merely commiseration about traffic or the weather or the many daily things that frustrate us.

In essence, we put filters on everything. We filter our life through mediums of social media to present a movie version of ourselves. Once again, it’s not evil, it’s human. But just for a day I wanted to present a picture of real everyday life photos. So I did. I am very obviously not a photographer and care about it more as a sort of writing exercise. So, you can check them out below with featured commentary by yours truly. (or above since this will be an older post).

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